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PREMIERE: AGWA Explore The Beatnik Moments Of Pop On ‘The Finder’
July 11, 2018
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HIGH HØØPS Is Dancing By The Beat Of His Own Groove On ‘People’
July 10, 2018
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‘Cleo’ Is A Hypnotising Sonic Haven From Pink Matter
July 9, 2018
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Holiday Sidewinder Makes A Buoyant Retelling of Disco-Pop On ‘Leo’
July 9, 2018
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Rainbow Chan’s ‘Promises’ Brings A New Kind Of Maximalism To Synth-Pop
July 9, 2018
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Genesis Owusu’s ‘Awomen, Amen’ Is The Most Important Hip-Hop Song Of 2018
July 9, 2018
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The Attics Are Indie-Rock’s New Poster Boys With ‘Ultramarine’
July 9, 2018
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Motez Makes Broad, Futuristic Stokes On His ‘Late Thoughts’ EP
July 9, 2018
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Hellions Release Profound New Single ‘Furrow’
July 6, 2018
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LUCIANBLOMKAMP Wrangles In Eliott For The Shapeshifting ‘Doing This For You’
July 5, 2018
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‘Eleven’ Is Last Dinosaurs’ Biggest Indie-Pop Blast
July 5, 2018
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Rejoicer’s ‘Double Astral Move’ Embodies The Psychedelia Of Production
July 3, 2018
