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King IV’s ‘Basic’ Gives Her A Commanding Lead In Australian Pop
October 31, 2018
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‘Adored’ By Hatchie Is Some Of The Best Shoegaze In A Long Time
October 30, 2018
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Luboku Skitters Around Techno-Pop On ’50 Days’
October 29, 2018
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Ross Henry Strikes Back In A Flurry Of Electronica On ‘The Birds and The Breeze’
October 29, 2018
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Harvey Sutherland Offers A Neat Slice Of High-End Disco On ‘Amethyst’
October 29, 2018
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PREMIERE: Obscura Hail Shows Insatiable Humanity On ‘Limberjack’
October 29, 2018
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PREMIERE: Saint Barae Repurposes Pop & Synthwave On ‘Nightcrawler’
October 29, 2018
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Slow Fades’ ‘Leave The Canyon’ Is A Revivalist Movement That’s Future-Proof
October 28, 2018
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PREMIERE: Atticus Chimps’ Self-Titled EP Hits Hard & Leaves You For Broke
October 25, 2018
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PREMIERE: Feel The Venomous Sting From Magnus’ ‘Saints, Sedated’
October 25, 2018
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PREMIERE: Fall Under Mack Fyah’s Spell On ‘Voodoo’
October 24, 2018
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Essie Holt Captivates With Her Striking Songwriting On ‘Distant Places’
October 22, 2018
